Roots Rock agitators Dave Hunter and the Seven Hundred bring a crooked gumbo equal parts mournful reflection, brazen feist and cool
St. Divine, New York-based purveryors of non-conformist garage rock, punk and Americana, conjure a molotov cocktail of dissent, sensuality
Artists include: Bailey Zimmerman, DJ Diesel, Bob Moses (Club Set), Ian Munsick, Two Friends and More Building on two
Album campaigns often rely on a collection of singles that showcase different sounds or styles. Eric Hirshberg has taken
Photo credit: Patrick Heath For much of the rollout behind RE/SOLVE, 2ŁØT has explored resilience from several different angles.
On a stormy July 4 evening at Ruoff Music Center in Noblesville, Indiana, Jack Johnson reminded everyone why his
A song about self-worth can easily become too clean or too obvious. 2ŁØT avoid that trap on “Iris” by
Firerose’s “Love Knows How” is a love song in the broadest and most complicated sense. It is not centered
Kid Rock has always stood out in American music by refusing to fit neatly into one box. His signature
“Nothin’ Left To Save” feels like a song Parker Barrow could have overworked if they were trying too hard
Roots Rock agitators Dave Hunter and the Seven Hundred bring a crooked gumbo equal parts mournful reflection, brazen feist and cool
St. Divine, New York-based purveryors of non-conformist garage rock, punk and Americana, conjure a molotov cocktail of dissent, sensuality
Artists include: Bailey Zimmerman, DJ Diesel, Bob Moses (Club Set), Ian Munsick, Two Friends and More Building on two
Album campaigns often rely on a collection of singles that showcase different sounds or styles. Eric Hirshberg has taken
Photo credit: Patrick Heath For much of the rollout behind RE/SOLVE, 2ŁØT has explored resilience from several different angles.
On a stormy July 4 evening at Ruoff Music Center in Noblesville, Indiana, Jack Johnson reminded everyone why his
A song about self-worth can easily become too clean or too obvious. 2ŁØT avoid that trap on “Iris” by
Firerose’s “Love Knows How” is a love song in the broadest and most complicated sense. It is not centered
Kid Rock has always stood out in American music by refusing to fit neatly into one box. His signature
“Nothin’ Left To Save” feels like a song Parker Barrow could have overworked if they were trying too hard
