There’s been a lot happening in the Cradle of Filth camp over the last week, with keyboardist/vocalist Zoe Federoff quitting mid-tour and her husband – guitarist Marek “Ashok” Smerda – being fired shortly thereafter. Now, bandleader Dani Filth has shared another in-depth statement on social media in which he gives his “side of the story” regarding the recent Cradle of Filth drama.

What Dani Filth Posted

Filth’s latest statement was posted to Cradle of Filth’s official Facebook and Instagram accounts this past Friday, Aug. 29.

He begins, “Greetings everyone, I think it’s time to reveal my side of the story, now that so many accusations have been levelled at the band, our management, and me personally.”

He continues: “I apologise for the slight tardiness of this statement; it was important to approach this in a level-headed manner after reflection. The timing was also difficult, as the band is currently touring South America with arduous travel days, long flights, and shows.”

Filth also specifies that he doesn’t “believe in tit-for-tat or slander” but that he does “want to clarify the following points,” after which he runs through several topics related to what’s been happening.

In response to the notion of there being a contract dispute between the band’s management, Federoff and Smerda, Filth specifies: “There is not a contract that was ever expected to be signed as is, but was the initial framework to build from.” He also claims that “one of the main reasons we are having this situation is because of miscommunication regarding the nature of the contract.”

Afterward, he stipulates: “No one in the band is prohibited from working with other groups and substituting their income.” From there, Filth gives “a more balanced picture” on what happened during “the first three days of the South American tour,” as well as promises to “take what is happening now as an opportunity to have a better dialogue in the band” so that “everyone feel[s] comfortable and protected in the future.”

He also suggests that because Federoff “failed to fit in the band,” she “is now attempting to slander and lie about as much as possible to garner dislike for me and our management.” In fact, he says, “Dez [Fafara] and Anahstasia of The Oracle Management have been nothing short of wonderful. Caring and understanding, relinquishing commissions to make tours work and working closely with the band to deliver us some amazing opportunities, thinking above and outside the proverbial box.”

Interestingly, Filth declares that after Federoff was let go from Cradle of Filth, Smerda “spoke out for her and went after the Royal family of heavy metal and we won’t have anybody speaking about Ozzy’s wife like this.”

Filth then goes deeper into “the contract in question,” which he says was “a shitty contract, but one that was put forward to help further dialogue with two members that had been causing a lot of drama behind-the-scenes.”

Eventually, he writes:

I am talking internally with the rest of the band now to draw up a contract that will best serve all of them and the business.

And yes, unfortunately a band is a business, and when we witness a person stirring trouble, drinking heavily, not writing, threatening to sue the band over use of their image, then something obviously needed to be done.

Zoe and Ashok had already tendered their resignations despite me agreeing to a pay-rise amid additional financial protection, so I was in absolutely no hurry to waste money with our lawyer drafting up a contract that was already destined to be pulled apart anyway.

Filth subsequently reflects on what happened during Federoff and Smerda’s last days in Cradle of Filth, beginning: “On Zoe’s departure three days into the twenty-six date tour and having already promised me and management that they would see out the tour in a professional manner, Zoe and Ashok proceeded to drink and argue between themselves for the first three days.”

Finally, he refutes accusations of “fat shaming,” writing:

Never has this been undertaken. Dez never said anything about persons being fat or being too heavy. All he said to Anabelle (our previous keyboardist) is ‘please watch your health you have touring and videos coming up’, to which she sent a picture of herself eating a selection of buns (which I found funny at the time!). Of course any manager would express these sentiments.

Filth concludes his post as follows:

I, as many of my colleagues in the music industry, have been pretty much an alcoholic by definition at one or two stages in my career and this is why I can observe her erratic patterns of behaviour and it is also why I have been teetotal from the booze for nigh on three year now.

Anyhoo I could prattle on forever, I just wanted to clear up a few things and then be out of your hair.

Thank you to all the many bands, fans and fellow musicians who have proffered their support in this matter. You guys are much appreciated indeed!

Onward and upward as they say!

See you on the  road!

Alongside his statement, Filth includes two screenshots of a text message exchange (between Smerda and Fafara, Consequence confirms) in which Smerda declares: “Dez Fafara – you are a sick evil person trained by sickest person in music industry – Sharon Osbourne – the criminal who should be whipped to death. Your karma will catch you. Do not ever talk to my wife this way ever again.”

Fafara replies: “Really Ashok. When your wife needed me and needed to talk about sobriety and needed to join Cof I was a good guy then. I’m spitting facts. Stop putting Dani in a corner on tour over and over as he’s trying to find money to pay you.”

You can see Filth’s entire statement – including those two text message screenshots – below:

Greetings everyone,

I think it’s time to reveal my side of the story, now that so many accusations have been levelled at the band, our management, and me personally. I apologise for the slight tardiness of this statement; it was important to approach this in a level-headed manner after reflection. The timing was also difficult, as the band is currently touring South America with arduous travel days, long flights, and shows.

I don’t believe in tit-for-tat or slander, but I do want to clarify the following points:

1. Firstly the contract in question:

This is not a contract that was ever expected to be signed as is, but was the initial framework to build from. I will expand on this further, but I do see that one of the main reasons we are having this situation is because of miscommunication regarding the nature of the contract and what was expected of the parties receiving it.

2. No one in the band is prohibited from working with other groups and substituting their income. We currently schedule tours for about 40% of the year with the rest of the year being available for other commitments. Many of my bandmates have other projects, as can be seen on their own social media pages. WE DO NOT prohibit our musicians from work commitments with other bands, we only ask to plan sufficiently, weaving schedules together as far in advance as the situation allows.

3. I’m sad to see that Zoe is picking facts to fit an agenda but am willing to share the full story including the description of events of the first three days of the South American tour, to show a more balanced picture so that people can make their judgements based on the wider context.

During those first days, heavy drinking, escalating arguments, and repeated public disputes created a very disruptive atmosphere for everyone involved. I personally witnessed heated exchanges between Zoe and Ashok that included both verbal and physical abuse, culminating in a public display in front of the hotel and fans who had gathered for last minute autographs in Sao Paolo. This was not an isolated incident but part of a pattern of abusive behavior that strained the entire team.

While I understand touring is stressful and exhausting, I cannot excuse the effect it had on the rest of us. The decision to continue the tour without them was not taken lightly, but it was necessary for the health of the band and crew.

Also, no one knew anything about her pregnancy and if she was pregnant, why she was drinking at all? She even contacted management on several occasions asking for help in stopping drinking, with lengthy text messages proving this.

4. It is important to me that the artists around me feel like their inputs are seen and valued. I do think that for the most part this is the case, as some of the remaining members have been with me for over 10 years. We are however always looking to improve, so I will take what is happening now as an opportunity to have a better dialogue in the band, crafting a more elaborate contract that makes everyone feel comfortable and protected in the future.

5. Addressing the management:

Dez and Anahstasia of The Oracle Management have been nothing short of wonderful. Caring and understanding, relinquishing commissions to make tours work and working closely with the band to deliver us some amazing opportunities, thinking above and outside the proverbial box.

Having failed to fit in the band, Zoe is now attempting to slander and lie about as much as possible to garner dislike for me and our management. Isn’t it easy to accuse without proof in this day and age when everybody is a such a well-versed online critic? I can only begin to imagine what else I will be accused of as she seeks to destroy this band and business.

Dez is very honest, transparent and truthful and doesn’t get paid until I allow the accountant to pay him.

This means everything goes through my accountant and then said accountant sifts through all the financial numbers to see what can and cannot be afforded. Dez never handles any of the moneys coming in.

Dez called out for Zoe’s firing, to which Ashok spoke out for her and went after the Royal family of heavy metal and we won’t have anybody speaking about Ozzy’s wife like this.

Now to elaborate further as promised.

Firstly the contract in question.

Yes it was a shitty contract, but one that was put forward to help further dialogue with two members that had been causing a lot of drama behind-the-scenes. Started from a harmless and well-reasoned email from Zoe asking for a pay-rise for the band, which was approved within days without any pushback, Zoe’s communication continued to get ruder and to escalate to a more threatening depth for seemingly no reason, especially considering her original request was approved from the get-go.

The tensions were growing and at the point of sending that contract, we had already received resignations from both Ashok and Zoe, so we decided not to spend any budget on a tailored contract, which in retrospect was a mistake as it further escalated the situation. Unfortunately we sent out an old, but never before used contract that was too brash, not as elaborate as it deserves to be and one that doesn’t capture the full picture of the actuality of being in this band. It wasn’t done with malicious intent, but was intended as a start to negotiations with none of us realising that it has been sitting in a folder, but not used for a reason. I rashly forwarded asking the band to sign.

At the time of sending it, we all (management, myself, and our attorney) had barely any time to look at the contract that was going out giving it a surface glance and just got it out to the band. I hadn’t had a full conversation with the lawyer or Dez about what the contract’s initial intention was (negotiate or just sign and go). This was an oversight on my part and it has been clarified later.

Of course Zoe would show you the worst and it saddens me that the context of what I thought was our dialogue was warped to fit an agenda and made public.

I am talking internally with the rest of the band now to draw up a contract that will best serve all of them and the business.

And yes, unfortunately a band is a business, and when we witness a person stirring trouble, drinking heavily, not writing, threatening to sue the band over use of their image, then something obviously needed to be done.

Zoe and Ashok had already tendered their resignations despite me agreeing to a pay-rise amid additional financial protection, so I was in absolutely no hurry to waste money with our lawyer drafting up a contract that was already destined to be pulled apart anyway.

To say that they only earn ‘X’ amount a year will certainly raise a few eyebrows, however, aside from their wages they are also privy to publishing (they just received an advance, who the management gave up commissions on and I actually put money towards out of my share), publishing royalties, PRS or the equivalent in every country, bonuses for touring if we do well, endorsements and not to mention food everyday and bunks/double room hotels when available on the road.

On Zoe’s departure three days into the twenty-six date tour and having already promised me and management that they would see out the tour in a professional manner, Zoe and Ashok proceeded to drink and argue between themselves for the first three days.

Having already argued all afternoon in front of everyone backstage, Ashok wanted to stay back and have a few drinks after the show, arguing with Zoe to the contrary. Later, he was with fans and members of our crew, when Zoe stormed downstairs at the hotel to drag him back to the room, telling people to ‘f—k off’ along the way and causing a scene. There are many witnesses to this, including that of her throwing things at him.

In Zoe’s defence, I do account her outburst on the fact that we had barely eleven hours sleep in four days, but again I don’t think this is a worthy excuse. No one else behaved in this manner. We were too tired to for a start!

The next morning, which was a very early lobby call, Ashok was clearly still drunk and again, the two of them argued heavily at the airport resulting in Zoe deciding to leave the tour and book a flight back to Arizona, citing Ashok’s alcoholism and partying by text. Ashok remained as a courtesy to the band, and as testified by several people, stipulated that his marriage was not working out. That, however is none of my business.

What is my business however, is keeping the tour moving and with this run costing nearly $200,000 in just expenses and wages alone, the thought of flying out new people and booking them visas, hotels and flights was obviously a little overwhelming. I quite selfishly thought that without the constant drama that we witnessed on a daily basis, Ashok would concede to enjoying the rest of the tour with us.

However that was not to be the case, as one minute he was crying on people’s shoulders, the next morning pushing out a statement about his departure from the band amid other revelations, having spoken to his wife on the phone. Naturally, due to these fresh insights he was fired on the spot.

Which brings me to ‘fat shaming’.

Never has this been undertaken.

Dez never said anything about persons being fat or being too heavy. All he said to Anabelle (our previous keyboardist) is ‘please watch your health you have touring and videos coming up’, to which she sent a picture of herself eating a selection of buns (which I found funny at the time!).

Of course any manager would express these sentiments.

Dez never spoke to Sarah Jezebel Deva about anything within the band. She was not in the band, however he did speak to her when she went online speaking ill of me and that’s exactly what a good manager does.

I expect my manager to have the artist’s back at all times.

*Incidentally Sarah actually emailed me to say how nice it was to meet me at the show in Torquay a few weeks ago and to ask if I’d still be interested in covering an Eighties pop song we both loved.

Touring itself is a very expensive business now, but that’s something you can read about anywhere online.

I, as many of my colleagues in the music industry, have been pretty much an alcoholic by definition at one or two stages in my career and this is why I can observe her erratic patterns of behaviour and it is also why I have been teetotal from the booze for nigh on three year now.

Anyhoo I could prattle on forever, I just wanted to clear up a few things and then be out of your hair.

Thank you to all the many bands, fans and fellow musicians who have proffered their support in this matter. You guys are much appreciated indeed!

Onward and upward as they say!

See you on the road!

How do you feel about what’s been happening with Cradle of Filth (especially considering Dani Filth’s latest explanations and screenshots)? Let us know!

READ MORE: Fired Cradle of Filth Guitarist Shares First Message After Dramatic Week

More About Recent Cradle of Filth Drama + Decisions

Dani Filth’s newest post was made a few days after Federoff “existed the band mid-tour” (as Loudwire reported on Aug. 25).

Loudwire continued: “In an initial posting to her social media, the keyboardist and backing vocalist shared, ‘It is with deep regret I share that for personal reasons I am unable to continue this tour and continue in general with Cradle of Filth.’ Federoff specified that she’d ‘answer no further questions’ but hoped that people would ‘be kind to [her] successor.'”

Several hours later, however, Federoff returned to social media to refute speculation that Smerda was “cheating” on her. “While the turmoil of being in the band has taken its toll on us, we remain very much certain that we love each other. Please be kind to my husband. He is a good man,” she wrote.

She also claimed that she and Smerda “were already planning to leave the band later this year. Certain events have sped that up for me.”

At the time, Filth called it “a strange turn of events,” adding: “We, of course, wish her all the best for the future.” He also “revealed that Kelsey Peters will now handle backing vocals for the band” (per Loudwire).

On Aug. 26, Loudwire reported that Smerda “issued a statement confirming his upcoming exit from the band,” after which the couple “issued a joint statement slamming Cradle of Filth over contractual issues within the band, accusing an unnamed individual and management of creating a ‘threatening and abusive’ atmosphere, among other issues.”

On Aug. 27, Cradle of Filth “officially fired guitarist Marek ‘Ashok’ Smerda after he and his wife Zoe Marie Federoff issued statements laying out their beef with the band’s management and sharing the contracts on social media they were allegedly asked to sign” (via Loudwire).

In his statement about that, Dani Filth called the situation “a horrible matter” that’s left the group “in a state of shock.” He added: “Please, respect our decision to part with Ashok now rather than at the end of the tour and avoid speculation as more clarity on the situation will be provided. The rest of the band are cool, even if taken aback, and accusations toward management, who work very closely with me and the band are completely unjust and unfounded.”

Then, on Aug. 29, Smerda made his first comments about what’s been happening. Per Loudwire, Smerda’s statement found him “primarily show[ing] his appreciation for the support he’s received from others during the drama of the past week.”

“This has been hard week but I am so grateful to fans and friends for support. My fellow musicians who reach out particular, who know how much I needed people who understand situation – and the fans as well, I am grateful so many stand by the side of we who make the music instead of the business greedy,” he began.

Afterward, he wrote that he and Federoff “chose this” because they “were promised changes and better days year after year, and we kept hoping for them to be real. . . . I wish [the] band had been better to us because I wanted to always be better to you.”

He concluded:

I also want to thank especially my wife for her courage in detailing so much of what has been wrong for long time. She now is telling me not to dare put down guitar- like I ever would, haha, I have more music to make, more to do with my life and my art, and she is right. I cannot put down guitar. I am not done creating, I am done being used for my creation but creativity continues. Something new begins.

Something good.

So, this is not goodbye- this is, hello, life is good, and you all helped make it to be so good.

Ashok